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Printed exhibit documents three roads to freedom

Projects | August 1, 2015 | By:

The title of the Mutoh-sponsored exhibit, “Then They Came for Us,” is derived from this quote by prominent Protestant pastor and outspoken opponent of the Nazis, Martin Niemöller (1892-1984): “First they came for the Socialists, and I did not speak out—because I was not a Socialist. Then they came for the Trade Unionists, and I did not speak out—because I was not a Trade Unionist. Then they came for the Jews, and I did not speak out—because I was not a Jew. Then they came for me—and there was no one left to speak for me.” Photo: Mutoh America Inc.
The title of the Mutoh-sponsored exhibit, “Then They Came for Us,” is derived from this quote by prominent Protestant pastor and outspoken opponent of the Nazis, Martin Niemöller (1892-1984): “First they came for the Socialists, and I did not speak out—because I was not a Socialist. Then they came for the Trade Unionists, and I did not speak out—because I was not a Trade Unionist. Then they came for the Jews, and I did not speak out—because I was not a Jew. Then they came for me—and there was no one left to speak for me.” Photo: Mutoh America Inc.

The City of Chandler, Ariz., sponsors the Celebration of Unity each year to honor community diversity, the achievements of the civil rights movement and the spirit, ideals, life and legacy of Dr. Martin Luther King Jr. The 15th annual celebration in January and February 2015 brought together multicultural lectures, music, crafts and ethnic food, culminating in a naturalization ceremony for 200 Arizona residents from countries around the world. A traveling exhibit that explores three distinct struggles for freedom in the early and mid-20th century serves as the back story for “Unity Fest” discussions of diversity. Mutoh America Inc., Phoenix-based manufacturer of large-format inkjet printers tailored to manage large-scale display graphics, donated printing and graphics for the exhibit “Then They Came for Us,” showcased in April.

The exhibit uses constructed panels, archival film footage and artifacts to link three disparate events: the Holocaust; the treatment of people of color in Eastern Europe; and the African-American struggle for civil rights. The displays follow the paths people took between 1900 and 1960 to achieve freedom, safety and dignity.

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